Catalogue of a Very Large Collection of Foreigners Who Have Been in England, Ranged Alphabetically: Comprising Almost All Those Mentioned by Granger .

Publisher Marketing: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT181893According to a note on the copy in the British Museum Department of Prints and Drawings, the prints belonged to Sir William Musgrave.[London, 1799]. [2],14p.; 8 Contributor Bio:  Richardson, William William J. Richardson S. J., Professor of Philosophy at Boston College, is the co-author of Lacan and Language: A Reader's Guide to the Ecrits.